THE LA CROISETTE

Vol. I · Issue Nº 04 · Spring/Summer MMXXVI

Cinema · Culture · Influence

Cannes · Paris · Los Angeles

Issue Nº 04 · The Cannes Edition

Cinema, Culture & the New Era of Influence.

An international editorial platform exploring the future of cinema, storytelling, brands, artificial intelligence and cultural influence — from the Croisette to the world.

Featured Stories

Didier ZAKINE SONIABOOST SONIA BOOST productora de cine film producer sonia boost

Cover Story · Cinema

Didier ZAKINE 

En su nueva exposición presentada en Cannes durante el Festival de Cannes WE ARE ALL CONNECTED SOMEHOW, el artista francés Didier Zakine transforma el mítico tapiz rojo del Festival en una obra contemporánea cargada de memoria y simbolismo.
Su trabajo nace de un gesto simple pero poderoso: rescatar un objeto efímero destinado a desaparecer y devolverle una nueva vida artística.
A través de pliegues, ritmos y fragmentos de materia, Zakine convierte el icono del cine en una experiencia visual y emocional.
La exposición explora la relación entre imagen, memoria y tiempo, en un diálogo constante entre lo sagrado y lo popular.
En La Malmaison, frente al Mediterráneo y a pocos pasos de la Croisette, sus obras adquieren una dimensión casi arquitectónica (ver foto adjunta)
La pieza presentada parece respirar con la luz, como si el propio cine hubiera dejado una huella física sobre la materia.
Las líneas repetidas evocan tanto las 24 escaleras del Palais des Festivals como el movimiento continuo de una película.
Lejos del glamour superficial, Zakine propone una mirada íntima sobre aquello que permanece después del espectáculo.
Su obra invita al espectador a detenerse, observar y redescubrir el tapiz rojo como un territorio de memoria colectiva.
Con esta exposición, Didier Zakine confirma una voz artística singular dentro de la escena contemporánea francesa e internacional.

Cannes

Sheep in the Box screens in Competition at the 79th Cannes Film Festival

The Palme d’Or winner returns to Cannes Competition with a 127-minute near-future drama starring Haruka Ayase as a mother who replaces her dead son with a humanoid robot. Neon holds US, UK and Australia rights. Sales via Gaga and Goodfellas.

There is a question that hovers over every great filmmaker’s late career: what do you do after you have made your masterpiece? For Hirokazu Kore-eda, who won the Palme d’Or in 2018 with Shoplifters and has since continued to expand his range — from Korean-language Broker to the formally audacious Monster — the answer turns out to be something nobody saw coming. Sheep in the Box is a sci-fi film, a new direction entirely for a director whose cinema has always been rooted in the textures of domestic realism. The pivot is not a gimmick. It is, if anything, the most logical extension of everything Kore-eda has ever cared about. Gulf Today

 

 

Brands & Culture

Spain at Cannes 2026: Three Films in Competition,

For the first time ever, three Spanish productions compete for the Palme d’Or simultaneously — Almodóvar, Los Javis and Sorogoyen lead a delegation that stretches across every section of the 79th edition, which kicks off tonight on the Croisette.

The poster says everything you need to know about the spirit Cannes has chosen to project in 2026. The 79th Festival de Cannes, which opens tonight and runs through May 23, has placed Susan Sarandon and Geena Davis’s iconic Thelma & Louise on its official artwork, marking 35 years since Ridley Scott’s outlaw road movie rewrote the rules of what a film about women could look like and who it could speak to. The choice is not accidental. This is a festival that arrives in a moment of global uncertainty projecting defiance, freedom and a rigorous belief in the political power of cinema. Gulf Today

For Spain, that defiance has a very specific shape this year: three films in the Palme d’Or Competition, a milestone without precedent in the country’s relationship with the world’s most important film festival.

 

Cannes.

Volume II · The Croisette Files

Where the world’s cinema still meets in person.

From the steps of the Palais to the after-hours of the Hôtel Martinez, La Croisette covers Cannes as a living institution — its rituals, its rooms, its rising voices and the quiet machinery of taste that still moves global film.

When movies, brands, ai and human impact meets. 

By soniaboost. cannes 79th

The la Croisette

Presidido por Park Chan-wook, el jurado otorgará la Palma de Oro a una de las 22 películas en competencia 

El Festival de Cannes, que celebrará su 79.ª edición del 12 al 23 de mayo, anunció al jurado que otorgará la Palma de Oro a una de las 22 películas que conforman la Selección Oficial del certamen.

The la Croisette

James Gray Is Calling From His Garden — And After Six Cannes Trips Without a Prize, ‘Paper Tiger’

The director of ‘The Immigrant,’ ‘Armageddon Time’ and ‘Ad Astra’ returns to the Croisette 

AI Boost Experience

The Festival’s First Immersive AI Pavilion

Inside the Croisette’s new official space dedicated to artificial intelligence in cinema and storytelling.

— A La Croisette Initiative —

Global Boost Awards

A global movement where cinema, artificial intelligence and purpose-driven brands converge — with editions in Cannes, Berlinale and beyond.

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Festivals

40+

Brands

Stories

Power List

III.

The Croisette Conversations

Year of production: 2026

Amarga Navidad

Director · Pedro Almodóvar

Year of production: 2026

The fatherland

Director · Pawel PAWLIKOWSKI

Year of production: 2026

AQUÍ

Producer · Tiago GUEDES

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